PATRICIA GOLDSTEIN, a small, feisty New Yorker, was 15 years old when she bought her first piece of jewellery, a Victorian locket links of london charms. By the late 1960s Goldstein had become a dealer. She made regular buying trips to Europe, and never passed through London without visiting the Victoria & Albert (V&A) museum’s jewellery gallery where, she recalled, she would “wander for an hour or two in blissful serenity links of london sale“. Then, in 2001, recently widowed and terminally ill, the childless 71-year-old told the museum she was bequeathing it her treasures.
On May 24th the V&A’s jewellery gallery will reopen after a four-year restoration. Some 3,500 jewels will be on display, some of them dating back to the Middle Ages links of london silver. There are diamonds that once sparkled on the gowns of Empresses Catherine the Great and Josephine. There are also 120 of Goldstein’s modern pieces, including a pair of gold dress clips made in the 1940s by Paul Flato, a Hollywood favourite with a surreal streak. Each clip is a human footprint topped by five ruby toes links of london.